This Is It

Jun 10, 2019 — The new issue focuses on the impact of Alfonso Cuarón’s Roma, women’s film criticism, and Hollywood’s international productions.

Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.

May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.

May 29, 2019 — In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...

May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...

May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.

May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...

May 20, 2019 — Setting the Haiti of 1962 next to present-day Paris, Bonello weighs the impact of French colonialism.

May 17, 2019 — Moving from the merely unsettling to the outright bloody, the Brazilian directors come down hard on their new government.

May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.