The Criterion Collection
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
The Daily
Dec 19, 2024 — One of history’s darkest chapters becomes a deeply personal experience in this adaptation of Colson Whitehead’s novel.
The Daily
Oct 31, 2024 — She brought a winning intelligence to suffering characters in such films and Young Frankenstein, Tootsie, and After Hours.
Oct 8, 2024 — An otherworldly exploration of the realm between life and death, this horror masterpiece transcends its genre with its poetic, often unsettling use of fragmentation and discontinuity.
The Daily
Aug 9, 2024 — Dylan and Peckinpah, Tomoko Tabata and Shinji Somai, and Carol Kane and Nathan Silver are among this week’s rich pairings.
The Daily
Apr 10, 2023 — Ian Penman’s new book Fassbinder Thousands of Mirrors is neither a straight-ahead biography nor an orderly critical analysis.
Jan 24, 2023 — Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.
The Daily
May 20, 2022 — Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.
May 10, 2022 — Joseph Losey’s sumptuous portrait of Nazi-occupied Paris sees an icy Alain Delon as an art dealer on a Kafkaesque quest for identity.