The Criterion Collection
May 24, 2019 — Elia Suleiman, who returned to Cannes this year with his latest film, talks with us about comedy as a form of political resistance.
The Daily
Dec 3, 2018 — Yorgos Lanthimos’s period romp wins a record ten British Independent Film Awards, and John Waters picks his ten favorite films of 2018.
Nov 29, 2018 — 112 films, including new work from Joanna Hogg, Stanley Nelson, Kim Longinotto, and Ritesh Batra.
In Theaters
Sep 20, 2018 — Travel back to the height of Beatlemania and the swinging sixties with Richard Lester’s infectious rock-movie classic A Hard Day’s Night, screening this weekend at the American Cinematheque.
May 1, 2018 — Working within the strict rules and tight budget of a commissioned television project, one of France’s finest contemporary directors made an artistic breakthrough that would go on to define his career.
The Daily
Apr 1, 2018 — Empire has been rolling out interviews from its “Spielberg Takeover” issue, the one with five different covers, including a podcast (102’01”) that’s naturally not part of the print version, in which contributors talk with Steven Spielberg himself and with Simon...
The Daily
Dec 29, 2017 — We open a round of holiday listening and viewing with Bill Simmons and Sean Fennessey’s conversation (99’38”) at the Ringer with Paul Thomas Anderson about Phantom Thread, the few brief clashes he had with Burt Reynolds on the set of...
The Daily
Dec 27, 2017 — It’s been a while since we gathered news of projects in the works, but even as announcements started thinning as the holidays approached, a few of them are well worth noting in a quick roundup here. For example, Josh and...
The Daily
Dec 7, 2017 — “I think that every movie gets better the second time around if you love it,” Guillermo del Toro tells Matt Zoller Seitz in an excerpt from a new book by Seitz and Simon Abrams, Guillermo del Toro’s The Devil’s Backbone....
The Daily
Nov 25, 2017 — New York. “It’s the Jacques Rivette movie for people who can’t stand Jacques Rivette movies—and yet no one else could’ve made it.” Michael Atkinson for the Village Voice: “La Belle Noiseuse (1991), now restored and rereleased in all its four-solid-hour...