The Criterion Collection
Jan 28, 2019 — With WR: Mysteries of the Organism, the late Serbian director made what Amos Vogel called “one of the most important subversive masterpieces of the 1970s.”
The Daily
Jan 18, 2019 — Plaudits for Elaine May and Barbara Stanwyck, conversations with Elliott Gould and Bertrand Tavernier, and a rift between a filmmaker and his subject.
The Daily
Jan 8, 2019 — A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.
Jan 8, 2019 — “Elements which can be eliminated have been eliminated” is how Abbas Kiarostami once described his late turn toward minimalism. While the Iranian director was known for the intricate, metatextual playfulness of his work, he also spent much of his career...
Dec 13, 2018 — The Berlinale will premiere new work by Angela Schanelec and Denis Côté, Rotterdam’s got an opener, and Steven Soderbergh will preview his latest at Slamdance.
Dec 11, 2018 — Note: The terms black and white were part of the way racial categories were referred to in South Africa under apartheid. Other terms, like nonwhite and non-European, were also used to mark racial segregation. In the following essay, the term...
Dec 7, 2018 — Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...
The Daily
Nov 29, 2018 — First Reformed, Eighth Grade, Roma, and The Rider emerge as early favorites.
The Daily
Nov 28, 2018 — The career of one of Italy’s greatest directors was riddled with scandal and accolades.
The Daily
Nov 14, 2018 — The history of Hollywood is the focus of this round, but its reach also extends well beyond.