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To Have and Have Not

May 28, 2019 Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.

May 22, 2019 Most critics won’t allow a comically absurd premise or a convoluted plot stand in the way of a good time.

May 17, 2019 The golden age of Japanese cinema would not have been the same without visionary cinematographer Kazuo Miyagawa, as the Criterion Channel’s now-streaming retrospective attests. Miyagawa, who over the course of his fifty-year career shot more than 130 films, brought his...

May 15, 2019 The star-studded zom-com has been met with a first round of mildly appreciative reviews.

May 14, 2019 The seventy-second edition will present new work by some of the world’s most renowned filmmakers.

May 7, 2019 “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...

Apr 16, 2019 Most proper New Waves of the 1960s came equipped with a rough balance of assimilable superstars and genuine radicals, and for the Czechoslovaks, the guerrilla flank was led by Jan Němec. Jiří Menzel was adored globally for his wry humor,...

Mar 6, 2019 Performances As Howard Hawks was preparing to make His Girl Friday, his 1940 version of the classic Ben Hecht and Charles MacArthur play The Front Page, he was determined not to repeat what he felt had been a problem with his earlier comedy Bringing Up...

Sculpting Tadzio

Criterion Designs

Feb 22, 2019 If I were to list the criteria for my ideal project, creating a sculpture of Tadzio, the young boy from Death in Venice, for a Criterion release of Luchino Visconti’s adaptation would just about tick off all the boxes. Firstly, I love cinema,...

Dec 28, 2018 Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...

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