The Criterion Collection
Oct 2, 2012 — Set in 1960s Hong Kong, Wong Kar-wai’s ravishing masterpiece is both a love song to a city and a human romance of epic intimacy.
Jan 5, 2006 — Akira Kurosawa appreciated Shakespeare’s knack for linking the private and the political, threading a tale of corruption and revenge through a tangle of blood ties.
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.
Essays
Mar 11, 2002 — This compendium of visual delights displays director Federico Fellini’s team of performers, writers, and designers at full and exhilarating stretch.
Essays
Nov 8, 1999 — In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna. It is...
The Daily
Jan 9, 2026 — This week: Conversations with Lav Diaz, Mira Nair, and Jean-Pierre and Luc Dardenne.
The Daily
Dec 17, 2025 — An amiable actor, Reiner launched his directorial career with a seven-film winning streak.
The Daily
Dec 12, 2025 — This week: Bi Gan, Radu Jude, a new Film Quarterly, and of course, more year-end lists and polls.
The Daily
Feb 21, 2025 — This week we’re revisiting work by Zeinabu irene Davis, Chantal Akerman, Claude Lanzmann, Wang Bing, and Joan Micklin Silver.
Essays
Oct 31, 2023 — With the full force of her imagination, director Nikyatu Jusu examines the complicated nature of Black motherhood, as well as the importance of Black communion as an antidote to racial oppression.