The Criterion Collection
The actor selects feminist landmarks by Lizzie Borden and Barbara Loden, reflects on working with Hal Ashby, and praises Jane Fonda’s performance in Klute.
The actor talks about feeling immersed in The Tree of Wooden Clogs, praises Small Axe as an “extraordinary piece of work,” and suggests that all film lovers see every film by Akira Kurosawa.
The actor and star of Crossing Delancey reminisces about the first film her family watched together at the drive-in, praises the depth of Liv Ullmann’s performance in Cries and Whispers, and shares her intimate connections to Blue Velvet and Days...
The actor and author talks about wishing he could have appeared in his favorite screwball comedy, The Awful Truth; praises the harrowing brilliance of Come and See; and shares his close connection to In a Lonely Place and Taste of...
The actor talks about falling in love with classic Hollywood cinema and the work of Preston Sturges, recalls being struck by the danger of Marlon Brando’s acting style in The Fugitive Kind, and selects favorites including Gimme Shelter and The...
The writer and director of Misericordia talks aboutfinding beauty in Todd Solondz’s explorations of perversion, shares his love of how David Lynch fractures the American dream, and praises the “cinematic choreography” in Pickpocket.
The actor and author talks about growing up above a video store and renting The Virgin Suicides once a week, gets emotional remembering her first encounter with Pedro Almodóvar’s celebration of unconventional beauty, and shares how starring in Uncut Gems...
The writer and director of His Three Daughters shares his deep love for Charles Laughton, talks about how Aki Kaurismäki blends fantasy and reality in La vie de bohème, and praises La Ciénaga and Girlfriends as cinematic miracles.
One of the most beloved figures to emerge in 1960s Hollywood, the Oscar-winning actor was acclaimed for his collaborations with directors such as Arthur Penn, William Friedkin, and Wes Anderson.
The director and cowriter of The Brutalist selects three favorites by Luchino Visconti, praises Larisa Shepitko as one of the greatest directors in the history of cinema, and talks about the hypnotic, endlessly watchable The Mother and the Whore.