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As Actor:

Mar 29, 2017 Film journalist Mark Harris stopped by Criterion to chat about the growing pains that five Hollywood filmmakers experienced during World War II.

Mar 22, 2017 A stately satire of modern media consumption and American politics, Hal Ashby’s 1979 film Being There follows the fortunes of a childlike gardener named Chance (Peter Sellers), who becomes an unlikely celebrity of D.C. high society after attracting the attention...

Mar 10, 2017 Even love that seems built to last might rest on a fragile foundation, a painful truth borne out to subtly devastating effect in Andrew Haigh’s 45 Years. In this delicately calibrated drama—featuring Charlotte Rampling and Tom Courtenay as Kate and...

Mar 9, 2017 Repertory PicksNext Wednesday afternoon, as part of its Stage on Screen series, the Avon Theatre Film Center, in Stamford, Connecticut, presents one of cinema’s most intimate explorations of theatrical craft, Louis Malle’s 1994 swan song Vanya on 42nd Street. A...

Mar 6, 2017 To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.

Mar 3, 2017 In his ambitious, decades-spanning The Before Trilogy, Richard Linklater captures the complexities of love and time through the story of Celine (Julie Delpy) and Jesse (Ethan Hawke), who fall for each other as twentysomethings on a train bound for Vienna....

Mar 1, 2017 In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.

Jan 23, 2017 Over on the Criterion Channel, we’re premiering the second installment of Adventures in Moviegoing, an original series in which we invite filmmakers, actors, musicians, and other artists to talk about the role that movies have played in their lives. Following...

Jan 11, 2017 A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.

Jan 9, 2017 A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

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