The Criterion Collection
The Daily
Sep 14, 2018 — Agnès Varda returns to Interview, David Lynch talks about his art, and more.
On the Channel
Sep 10, 2018 — One of the pleasures of programming a new short-and-feature pairing every week on the Criterion Channel is getting to celebrate the artistic freedom that short films offer emerging artists. With tighter run times and smaller budgets, the form comes with...
Aug 23, 2018 — The director of Computer Chess and Support the Girls finds in John Cassavetes a surrealist whose weirdest set pieces could make David Lynch blush.
The Daily
Jul 23, 2018 — Bradley Cooper’s directorial debut will premiere out of competition. And Venice Critics’ Week announces its 2018 lineup.
Jul 19, 2018 — Deep Dives A tough, dirty gangster picture that delivers the requisite payload of violence and bastardly behavior, Giuliano Montaldo’s Gli intoccabili (released in the U.S. as Machine Gun McCain) is also a landmark in the story of John Cassavetes and his ragtag repertory...
Jul 10, 2018 — The martial-arts film was never the same after King Hu got his hands on it, reinventing the genre with subtle editing and dazzling choreography.
Essays
Mar 30, 2018 — This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.
The Daily
Mar 7, 2018 — The two big film festivals of April, one for each coast, have made major lineup announcements. The Tribeca Film Festival has rolled out all of its feature titles for its seventeenth edition, running from April 18 through 29. Last month,...
Jan 19, 2018 — “Rachel (Kathryn Hahn) and Richard (Paul Giamatti), the beleaguered bohemian-geek couple at the center of Private Life, have been trying, through fertility treatments, to get pregnant for years,” begins Variety’s Owen Gleiberman. Private Life “is a comedy of fragile hopes...
The Daily
Jan 7, 2018 — The updates to the entry on Paul Thomas Anderson’s Phantom Thread are still rolling in, and one of the most recent ones links to Sheila O'Malley’s cover article for the new issue of Film Comment. “Unlike other clichéd Great Men...