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The Brazilwood Man

Jan 21, 2008 In September 1997, I saw Agnès Varda introduce a brand-new 35 mm print of her first feature film, La Pointe Courte (made in 1954), to an admiring audience at Yale University. More astonishing than the luminous black-and-white images was Varda’s...

Jul 19, 2004 Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”

Jun 3, 1991 Robert Montgomery stars in the Oscar-nominated role of Joe Pendleton, a lug of a boxer accidentally spirited off to heaven before his time, while Claude Rains is the title character whose job it is to find a way for Pendleton...

Apr 4, 1988 Back in 1968 when The Producers made its debut, writer-director Mel Brooks was better known within the entertainment industry than by the public at large. His writing for Sid Caesar’s Your Show of Shows and the Get Smart television series,...

Apr 21, 2026 It’s all a bit confusing. Point Blank is based on a novel called The Hunter by Richard Stark, one of several pseudonyms adopted by Donald E. Westlake. The book was republished as Payback in 1999 to tie in with a...

Apr 25, 2023 Steve McQueen’s monumental, five-film portrait of London’s West Indian community is a howl of endorsement for political resistance and a vivid indictment of institutional malaise.

Mar 31, 2021 It has seemed to me for a long time that there is far too little screaming about Albert Brooks. It has seemed that way to all of his staunchest fans, who secretly relish being among the evolved few who know...

Sep 20, 2019 In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...

May 24, 2017 Cannes kicked off the 1980s with a Palme d’Or win for a giant of Japanese cinema entering the final stages of his career. Akira Kurosawa’s Kagemusha (the title of which literally translates as “shadow warrior”) follows a small-time thief who...

Jul 22, 2013 Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.

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