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Right Things

The Daily

Jun 12, 2020 We’ve got a disparate set of highlights this week: Arthur Jafa, Josephine Decker, Bill Duke, Tsai Ming-liang, and the late Lynn Shelton.

Jun 9, 2020 A couple walk down a cacophonous street in New York. They’re bundled in coats—wrapped up in their own worlds. She is incandescent with joy, talking about her cadre of close friends and their regular meetings. He wears a resigned face,...

Jun 9, 2020 While AFI Docs and the Sheffield Doc/Fest go virtual, Il Cinema Ritrovato intends to screen new restorations and discoveries in Bologna in August.

May 27, 2020 London-based director Sandhya Suri already had several acclaimed documentaries to her name—including I Is for India (2005) and Around India with a Movie Camera (2018)—when she decided to make her first foray into narrative filmmaking. Inspired by some of the...

May 27, 2020 “A filmmaker shows what his career will be in his first 150 feet of film,” François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose...

A Global Lineup

The Daily

May 27, 2020 Twenty-one festivals from around the world contribute to the eclectic lineup of the free We Are One: A Global Film Festival.

May 26, 2020 Richard Ford’s 1990 novel Wildlife begins with this arresting sentence: “In the fall of 1960, when I was sixteen and my father was for a time not working, my mother met a man named Warren Miller and fell in love...

May 22, 2020 The Times of Harvey Milk Today—May 22, 2020—would have been Harvey Milk’s ninetieth birthday. Harvey was forty-five when I first met him in his camera store; I was nineteen. Harvey was murdered when he was just forty-eight, and I’m now...

May 22, 2020 In the wake of the #MeToo movement, “listen to women” became an omnipresent phrase, one that film programmer Nellie Killian found revealing. Giving space for women to talk about their lives has often been framed as a burden or obligation,...

May 22, 2020 This week’s round features the story behind John Cassavetes’s debut feature and conversations with Dan Sallitt and Jonathan Rosenbaum.

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