Hud

Jan 7, 2016 — At the gala for the New York Film Critics Circle’s 2016 awards dinner Criterion president Peter Becker accepted an award on behalf of his father, Criterion cofounder William Becker. His remarks are reproduced here.

Dec 24, 2015 — As the perfect companion for your holiday blues, spend the final days of the year indulging in a good cry with Douglas Sirk at the Film Society of Lincoln Center.

Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Feb 20, 2015 — In time for this year’s Academy Awards ceremony, we wanted to celebrate all the incredible women who have been nominated for best actress Oscars for their roles in Criterion titles. They range from the 1930s to the 2010s, and include...

Jun 19, 2014 — PerformancesTime has added some latter-day ironies to All That Heaven Allows, and not just the revelation that its star Rock Hudson was gay. There’s also the political career of Ronald Reagan, the ex-husband of Hudson’s costar, Jane Wyman—built on the...

Jun 13, 2014 — Did You See This?• Hilton Als takes a long last look at the legendary Ruby Dee. • Marco Bellocchio, back and vibrant as ever • Jerry Lewis has still got it. • Oscar Wilde, journalist • On Norman Mailer’s masterful...

Jun 12, 2014 — The colors, the lighting, the camera angles and movements, the performances, the music! This gorgeous clip from our new digitial restoration of All That Heaven Allows perfectly encapsulates the all-encompassing style of director Douglas Sirk, who employed the conventions of...

Jun 10, 2014 — Douglas Sirk once said: “This is the dialectic—there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.” When All That Heaven Allows was...

Jan 30, 2014 — Growing up with the epically zany, star-studded comedy.

Aug 13, 2013 — John Frankenheimer burrows into the insidious side of the American sixties in his visually dazzling thriller.