The Criterion Collection
Essays
Aug 18, 2009 — Jacques Tati’s masterpiece converts work into play so pleasurably that it turns the very acts of seeing and hearing into a form of dancing.
Oct 20, 2008 — Though he had been directing films since the silent era, Kenji Mizoguchi didn’t become an international sensation until after the Second World War, benefiting from a new fascination with Japan’s cinematic output.
Feb 11, 2008 — Though today he is most fondly remembered for his later romantic comedies, typifying Hollywood filmmaking in its heyday, it should be known that Ernst Lubitsch was also a pioneer of the modern movie musical.
Jun 25, 2007 — Chris Marker’s masterpiece is a cinematic essay and travel film made up of asides and digressions that form a portrait of late twentieth-century civilization.
Essays
Oct 24, 2005 — Kihachi Okamoto’s subversion of the samurai movie possesses the same gritty, stark realism with regard to imagery and body count, yet the tone is decidedly comic.
Jul 25, 2005 — Seijun Suzuki stages a fearsome guerrilla night raid on an axis of oppression that includes the state, the church, the U.S. military occupation, and both the commercial exploitation of sexuality and the nonprofit pleasures of carnal love.
Essays
May 9, 2005 — This seminal documentary conveys the particular seductiveness and resonance of the dream of going pro for two talented Chicago teenagers.
Essays
Sep 29, 2003 — Roman Polanski’s maiden feature would define his maverick status once and for all.
Essays
Aug 18, 2003 — Ingmar Bergman’s chamber film is his most concentrated inquiry into the significance of religion, and of Lutheranism specifically.