The Criterion Collection
Essays
Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.
The Daily
May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.
The Daily
May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.
The Daily
May 10, 2024 — Horace Ové’s Pressure opens, Víctor Erice and Pedro Costa exchange ideas, and GQ presents an oral history of Go.
The Daily
Apr 19, 2024 — Revivals of work by Frank Borzage, Ken Loach, and David Fincher are among this week’s highlights.
The Daily
Apr 17, 2024 — Park Chan-wook and Don McKellar’s adaptation of Viet Thanh Nguyen’s novel stars Hoa Xuande and Robert Downey Jr.
The Daily
Apr 12, 2024 — Names in the news this week: Alain Delon, John Akomfrah, Francis Ford Coppola, Vera Drew, Charles Burnett, and Miles Davis.
The Daily
Apr 11, 2024 — Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.
The Daily
Apr 10, 2024 — Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.
Apr 2, 2024 — The main attraction of the Metrograph series will be the new restorations of Green Fish, Peppermint Candy, Oasis, and Poetry.