The Artist

Dec 10, 2022 — Screening the Past returns, Another Screen presents films from Iran, and Céline Sciamma talks about the thirtieth greatest film of all time.

Nov 1, 2022 — A film of rich colors, mournful silences, and haunting symmetries, Wong Kar Wai’s masterpiece is a meticulously constructed memory box that invites fetishistic dissection.

Oct 28, 2022 — Iranian cinema, the history of horror, and malevolent conspiracies are on our minds this week.

Oct 11, 2022 — One mystery leads to the next over the course of twelve chapters split into two features.

Aug 2, 2022 — The festival will launch the first complete retrospective, which will then travel to Paris.

Jul 6, 2022 — The seventy-fifth edition will premiere new films by Helena Wittmann, Alexander Sokurov, and Nikolaus Geyrhalter.

May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

Feb 10, 2022 — The heads of each section discuss the highlights and themes of their selections.

Dec 16, 2021 — Whether their lists run to ten or fifty films, critics argue their cases for the films they’ve put on top.