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Jul 17, 2015 — As visually and sociopolitically expansive as it is intimate in its details of a boy’s coming of age, Jan Troell’s film is one of the great cinematic debuts.

Jul 7, 2015 — Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...

Jul 6, 2015 — The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....

Jul 2, 2015 — Les Blank’s A Poem Is a Naked Person, in theaters courtesy of Janus Films, is a major rediscovery. Now playing at New York’s Film Forum before expanding to cities across the United States, including Salt Lake City, Los Angeles, San...

Jun 17, 2015 — Taking the form of a casual conversation, Louis Malle’s film about transformative experiences is an outgrowth of its writer-stars’ experimental theater days.

Jun 17, 2015 — From a shrewd adaptation by André Gregory and Wallace Shawn, Jonathan Demme fashions a visually inventive dreamscape out of an Ibsen classic.

Jun 11, 2015 — The author recalls the two great cinematographers and their work.

Jun 7, 2015 — Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.

May 22, 2015 — A music star burns brightly and flames out beautifully in Mark Rydell’s visceral rock-and-roll film, starring a sensational Bette Midler.

May 11, 2015 — The poignancy of Leo McCarey's tearjerker is due as much to the director's scrupulous aesthetic choices as his unforgettable characters and story.