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Jun 17, 2021 The first real lesbian kiss in a film is an honor that rightfully belongs to Mädchen in Uniform. It’s true that a year earlier, in 1930, Marlene Dietrich played a tux-clad chanteuse who snogs a woman in a nightclub audience...

Jun 16, 2021 For the cover image of our edition of Hou Hsiao-hsien’s opulent masterpiece, the award-winning illustrator combined traditional Chinese figure-drawing styles with a distinctly modern approach to color and composition.

Jun 9, 2021 As part of Criterion’s team of digital-restoration artists, it’s my job to make dusty old films look polished and new again, like the first time they were ever screened for the public. This process is akin to photo retouching, but...

Jun 9, 2021 Lois Weber was Hollywood’s leading female director in the 1910s and 1920s. But also: she was one of the great directors of the silent era regardless of gender, a filmmaker of remarkable vision who exerted an exceptional degree of creative...

Jun 9, 2021 Critics welcome the big-screen version of Lin-Manuel Miranda’s hit musical as a celebration of the return of the movies.

Jun 7, 2021 The Cannes sidebar focusing on promising newcomers presents its sixtieth-anniversary selection.

Jun 4, 2021 We’re catching up with the new issues of Bookforum, the Brooklyn Rail, and Field Notes and delving into the work of Bill Gunn and Tsai Ming-liang.

Petzold and Undine

The Daily

Jun 2, 2021 Christian Petzold reunites with Paula Beer and Franz Rogowski, the stars of Transit (2018), for a contemporary fable.

Jun 1, 2021 Valeria Sarmiento and the Chilean production company Poetastros have launched a campaign to complete Raúl Ruiz’s Socialist Realism.

May 27, 2021 First Person I first watched Yi Yi on a busted cassette tape, in my small Texas town, rented from a Blockbuster behind a rice field and a pharmacy. If you were a high schooler growing up just outside of Houston...

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