Where the Crawdads Sing

Feb 25, 2018 — “Sridevi Kapoor, best known by her mononym Sridevi and a major Bollywood star, died Saturday night in UAE of cardiac arrest,” reports Erin Nyren for Variety. “Sridevi worked in Tamil, Telugu, Malayalam and Kannada films before debuting in Hindi films....

Feb 14, 2018 — With her acclaimed new film Western opening in theaters this week, we spoke with German director Valeska Grisebach on the romantic ideals of the quintessential American genre.

Feb 5, 2018 — In this excerpt from a supplement on our release of G. W. Pabst’s Kameradschaft, scholar Hermann Barth explores the painstaking work of set designer Ernő Metzner.

Jan 25, 2018 — One of the pivotal works of the Direct Cinema movement, the Maysles brothers and Charlotte Zwerin’s documentary Salesman plays in a new restoration at Manhattan’s Metrograph.

Jan 18, 2018 — To Save and Project: The 15th MoMA International Festival of Film Preservation opens tonight with William K. Howard’s Transatlantic (1931; image above), “a pre-Code comedy firmly set during the golden age of ocean travel,” as Caroline Golum notes at Screen...

Jan 11, 2018 — The turn of each year always sees a flurry of listing, remembering, and anticipating that seems to knock just plain reading off the agenda for the time being. Now, a little over a week into the new year, we can...

Oct 19, 2017 — Danielle Darrieux, who turned 100 on May 1 and appeared in over 110 films, perhaps most famously in three directed by Max Ophuls, has passed away, reports the AP.“Unlike most branded stars whose appeal can be captured in one well-chosen...

Sep 28, 2017 — Herk Harvey’s one and only film, the haunting low-budget classic Carnival of Souls, plays next Wednesday evening at London’s Regent Street Cinema.

Sep 27, 2017 — In conjunction with a new edition of Stan Brakhage’s Metaphors on Vision, we’re sharing a selection from the opening pages of this seminal work.

Sep 6, 2017 — New York. Back in April, Film Forum presented The Complete Wiseman: Part 1: Early Wiseman, the first half of a Frederick Wiseman retrospective that, as Matt Prigge notes in the Village Voice, “covered the prolific and pioneering documentarian’s angriest period.”...