The Class

Feb 11, 2020 — The most deeply personal film of Alfonso Cuarón’s career, Roma imbues the director’s own childhood memories with the epic sweep of history. But for all the technical virtuosity and monumental scale on display in its set pieces, the movie—which joins...

Nov 21, 2019 — Every love affair requires a border crossing. The person you see across a crowded bar, or meet at a dinner party, or find on a dating app is another country altogether—maybe a nice place to visit, but do you really...

Apr 15, 2019 — It’s one thing to have wild cinematic ambitions, and quite another to pursue them without a strong technical skill set and years of apprenticeship in the craft. But from the beginning of his career, the twenty-nine-year-old, mostly self-taught filmmaker Bi...

Jan 25, 2019 — Deep into Cristian Mungiu’s 2007 drama 4 Months, 3 Weeks and 2 Days, we sit in on a leisurely dinner-table chat that appears to be unrelated to the film’s main event, an illegal abortion conducted in a seedy hotel. After...

Dec 7, 2018 — Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...

Mar 2, 2017 — Repertory PicksThis Friday, the University of Wisconsin–Milwaukee will screen French Cancan, Jean Renoir’s vibrant reimagining of belle epoque Paris. Inspired by the life of Moulin Rouge founder Charles Zidler, this 1955 musical comedy tells the story of a cabaret impresario...

Oct 7, 2015 — It’s night in the desert. Mike (River Phoenix), a teenage hustler given to bouts of narcolepsy, and Scott (Keanu Reeves), a slumming preppy prince, are huddled over a campfire. “I just want to kiss you, man,” says Mike softly. The...

Jul 31, 2014 — Repertory PicksThings are getting emotional at New York’s Museum of the Moving Image this August. As part of its recurring See It Big! series, the institution is presenting a selection of great Hollywood melodramas, from the 1930s to the 2000s,...

Jul 15, 2014 — Ihave an unusually easy way of remembering when I first became fascinated by Robert Bresson’s films. Pickpocket (1959) was the first one I saw, at the old Orson Welles theater in Cambridge, Massachusetts, in my late teens; it was also...

Jan 13, 2014 — With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.