Sep 23, 2021 Gina Prince-Bythewood’s iconic debut portrays Black love without forcing its heroine to compromise herself and her ambitions.

Sep 17, 2021 The new 4K restoration of Christopher Petit’s debut feature will screen at the New York Film Festival before opening at the Metrograph.

Sep 13, 2021 The Los Angeles–based artist behind the covers for our editions of Amarcord and The Awful Truth discusses the evolution of her work.

Sep 9, 2021 Critics find Kristen Stewart to be “both such a counterintuitive and oddly apt choice” for the role of Diana, Princess of Wales.

Sep 3, 2021 In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

Sep 2, 2021 Translated into English for the first time, this afterword to Hirokazu Kore-eda’s novelization of his film explores the director’s attraction to fiction writing and how the art form differs from narrative cinema.

Aug 31, 2021 Here’s the latest on projects in the works from Bille August, Hou Hsiao-hsien, Paolo Sorrentino, and Ildikó Enyedi.

Aug 27, 2021 This week we’re delving into the history of Black cinema and reflecting on films from Afghanistan and Iran.

Aug 24, 2021 Andrzej Wajda’s masterful portrait of postwar Poland pits Communist ideals against the bitter realities of a new order.

Aug 16, 2021 Here’s what critics have been saying about the winners of the top awards.

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