The Criterion Collection
Feb 11, 2025 — Jean-Luc Godard’s first English-language narrative feature is a postapocalyptic fantasy that shifts from antic humor to tragic grandeur while challenging deep-rooted assumptions about what a Shakespearean movie should be.
The Daily
Jan 23, 2025 — While Jacques Audiard’s Emilia Pérez takes the lead, the Academy has popped a few surprises.
The Daily
Jan 22, 2025 — New films by Richard Linklater, Bong Joon Ho, Radu Jude, and Lucile Hadžihalilović are set for the seventy-fifth edition.
Jan 16, 2025 — Long considered lost, Fujisawa’s Bye Bye Love screens at Metrograph with two Teshigahara classics.
On the Channel
Jan 16, 2025 — Swoon for big-city romance with our New York Love Stories collection; celebrate Black history with stories of community, creativity, and resistance; or tango with the shady characters of Argentina’s noir thrillers.
The Daily
Jan 9, 2025 — MoMA’s festival of film preservation spotlights films from around the world, ranging from the silent era through the 1980s.
The Daily
Dec 20, 2024 — Along with conversations with Jem Cohen and Johnnie To, the week brings fresh angles on the year that was.
Dec 18, 2024 — The bulk of this year’s selections comes from a three-decade stretch from the early 1970s to the late ’90s.
The Daily
Dec 13, 2024 — The week’s offered fine writing on Elaine May, Robert Siodmak and Ella Raines, and Christopher Nolan’s turning-point movie.
The Daily
Dec 10, 2024 — The Locarno Film Festival is making a new restoration of Alberto Cavalcanti’s A Real Woman freely available worldwide.