The Criterion Collection
Sep 17, 2019 — Fusing the melodrama of Douglas Sirk and the ballyhoo of William Castle, John Waters’ sixth feature, Polyester (1981), was a departure from the scrofulous 16 mm mode of production he had made his cult name plying to midnight-movie crowds in...
Sep 10, 2019 — In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.
Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.
The Daily
Sep 3, 2019 — Early reviews of Gray’s space odyssey are strong—and even stronger for Brad Pitt.
The Daily
Aug 13, 2019 — As Toronto’s full lineup nears completion, New York looks to expand upon “our notions of what the moving image can do and be.”
Production Notes
Aug 2, 2019 — 1. Spike Lee was inspired to write Do the Right Thing by what is now known as the Howard Beach incident. On December 20, 1986, a mob of twelve angry white men chased down and beat three black men who...
The Daily
Aug 1, 2019 — A new book and film series survey the many varied ways filmmakers from outside the country have viewed America.
Features
Jul 25, 2019 — My first three films—Angela, Personal Velocity, and The Ballad of Jack and Rose—are all mysteries of female identity, how it can be warped, destroyed, or saved, particularly in the context of family and sexual love. These films are highly charged...
The Daily
Jul 18, 2019 — While the focus is on new films by young directors, the guest of honor will be the renowned Shinya Tsukamoto.
May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.