The Criterion Collection
Essays
Mar 29, 2011 — As the only film of a Gilbert and Sullivan opera brought to the screen with the participation of the D’Oyly Carte Opera Company, Victor Schertzinger’s 1939 Technicolor The Mikado is a unique specimen; however one rates it, there is nothing with...
Mar 28, 2011 — Topsy-Turvy is both an anomaly among the films of Mike Leigh and, contrary as it may seem, a Rosetta stone. On the one hand, it is Leigh’s only costume picture and only biopic—a far cry from the bittersweet, realistic films...
Features
Mar 22, 2011 — The Times of Harvey Milk is one of the defining monuments to the life and legacy of my late uncle Harvey Milk. It has also been a companion in many ways during my own journey as the openly gay nephew...
Essays
Mar 15, 2011 — In Edward Yang’s cinema in general, and in Yi Yi in particular, character and environment are inseparable.
Features
Feb 28, 2011 — In 1969, director Alexander Mackendrick retired from the film industry and became founding dean of the film school at the newly established California Institute of the Arts. Passionately interested in the pedagogy of cinema (“Film writing and directing cannot be...
Essays
Feb 22, 2011 — Andrea Arnold seemed to emerge out of nowhere with Red Road (2006), her revelatory, shrewdly observed debut feature about voyeurism and sexual revenge. That film won Arnold multiple awards, and she had already earned an Oscar for her short Wasp...
Feb 22, 2011 — It wasn’t intended. No one could have predicted it. But Sweet Smell of Success turned out to be a terminus where several movie genres and subgenres converged and curdled, producing a uniquely delicious perfume of everlasting cynicism. Inhale deeply. And...
Essays
Feb 20, 2011 — Melodrama has a bad reputation because it has been abandoned to schematic and conventional interpretation. —Luchino ViscontiSenso, Luchino Visconti’s extraordinarily lush 1954 movie, was never truly released in America. Even though an American star, Farley Granger, and a European star,...
Feb 8, 2011 — Federico Fellini was born and brought up in Rimini, Italy, a small seaside town in the province of Emilia-Romagna. Amarcord is a neologism he contrived, which comes closest to the Emiliano-Romagnolo dialect phrase mi ricordo (I remember). Fellini, a great...
Feb 7, 2011 — Death looms over the films of Hirokazu Kore-eda. His first fiction feature, Maborosi (1995), is a quiet study of bereavement, about a young woman struggling to move on after her husband’s inexplicable suicide. In After Life (1998), a supernatural fable...