In Our Time

Jan 23, 2018 — Just in case it’s not obvious, a click on the title will take you to a roundup of reviews, interviews and, when available, trailers, clips, and more. Titles will be added throughout the festival and those entries will be updated...

Jan 20, 2018 — “American Animals is nothing if not a movie that arrives at some very simple truths in the hardest way possible,” writes IndieWire’s David Ehrlich. “A slick, well-acted, and intensely self-reflexive docudrama from the director of The Impostor, [Bart] Layton’s first...

Nov 6, 2017 — “One of the disorientations of where we’re at—the obliterative sucking splotch of a present tense in which we now all live—is that it feels simultaneously like a malign mischance and like something we should have seen coming a mile off,”...

Oct 24, 2017 — New York. The Anthology Film Archives’ series Boxing on Film: Part 2 is on through October 31, and William Klein’s Muhammad Ali, The Greatest (1974), screening once more on Saturday, “evades fight footage and instead alights upon the press appearances...

Sep 28, 2017 — Let’s start today with a few interviews. I’ve opened the NYFF 2017 Index with a snippet from poet Peter Gizzi’s conversation with New York Film Festival director Kent Jones for BOMB, but I want to flag it again because they...

Sep 25, 2017 — New York. From October 12 through 26, the Metrograph will present Philippe Garrel: Part 1, the first half of the most complete retrospective ever to be staged in the U.S. I’m flagging this event early not only because the New...

Sep 17, 2017 — “Mike White’s father-and-son college-trip comedy-drama Brad’s Status is legitimately more frightening than anything in It,” declares Bilge Ebiri in the Village Voice. “Quite aside from the fact that real life is always scarier than monsters from the beyond, the writer-director’s...

Aug 13, 2017 — Fifty years ago today, on August 13, 1967, Arthur Penn’s Bonnie and Clyde with Faye Dunaway and Warren Beatty opened in New York “at the Murray Hill and the Forum, on 47th Street and Broadway, right in the middle of...

Aug 10, 2017 — “Stylish swagger goes full-tilt boogie in Let the Corpses Tan (Laissez bronzer les cadavres), the latest delirious exercise in lovingly retro pastiche from Brussels-based writer-directors Hélène Cattet and Bruno Forzani,” begins Neil Young in the Hollywood Reporter. “Having amassed a...

Aug 8, 2017 — “The gaffers and grips, the electricians and sound men, all the technicians begin to mill about briskly on the thick-sodded grass adjacent to the ice-rimed children’s wading pool. Even the park’s casual strollers, walking their diarrheic poodles and mastiffs, begin...