The Criterion Collection
The Daily
Feb 28, 2019 — The spring 2019 issues are out—and Jonathan Rosenbaum is rolling out a new two-volume collection.
The Daily
Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.
Jan 24, 2019 — Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.
Jan 22, 2019 — The Forum will also launch new films by Dan Sallitt, Heinz Emigholz, Sofia Bohdanowicz and Deragh Campbell, and Thomas Heise.
Interviews
Jan 9, 2019 — There’s a certain tall-tale quality to Sandi Tan’s life. When the California-based filmmaker was growing up in Singapore in the 1980s and ’90s, movies were a powerful way of experiencing the world beyond her small native country, a place she...
The Daily
Jan 3, 2019 — We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.
Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...
Dec 14, 2018 — “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...
Essays
Nov 26, 2018 — The Magnificent Ambersons In his interviews with Peter Bogdanovich published as This Is Orson Welles, Welles speaks nostalgically of the time he spent with his father in a tranquil enclave of 1920s Illinois, comparing it to “a childhood back in...
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.