The Criterion Collection
Short Takes
May 23, 2016 — “It was just fun,” Robert Downey Sr. says of his early New York filmmaking days, in a new interview with Bilge Ebiri for the Village Voice.
May 10, 2016 — Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.
May 6, 2016 — The distinctive musician and composer discusses his instinctive approach to composition and the value of a total immersion into a film’s world.
Essays
Apr 27, 2016 — In Phoenix, Christian Petzold sets his nuanced melodrama of postwar German-Jewish identity within a starkly realist aesthetic, making newly fascinating use of his enduring interest in the tensions between the real and the artificial.
Features
Apr 4, 2016 — Ray Dolby did not match the conventional image of an eccentric inventor, nor that of a business mogul. But his name now represents a benchmark by which the recording of sound and its playback on disc and in movie theaters...
Essays
Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.
Jan 11, 2016 — In honor of the great cinematographer, our technical director shares some memories of encountering the man and his work.
Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.
Nov 18, 2015 — Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”
Nov 5, 2015 — Julien Duvivier’s early sound films offer emotionally rich explorations of life in prewar France.