The Criterion Collection
Essays
May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.
On the Channel
May 3, 2018 — Two of the earliest films to depict the bombing of Hiroshima show how politics shapes national mourning.
Apr 13, 2018 — Soviet filmmaker Sergei Parajanov explored his Transcaucasian roots in this visually spectacular and wonderfully strange ode to the Armenian poet Sayat-Nova.
The Daily
Apr 5, 2018 — Locarno in Los Angeles, the series curated by Acropolis Cinema founder Jordan Cronk and co-artistic director Robert Koehler that brings a batch of the best films screened last summer at the increasingly vital Swiss festival, opens today and runs through...
The Daily
Apr 2, 2018 — Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...
Mar 27, 2018 — At the height of his career, Ken Russell brought D. H. Lawrence’s classic exploration of human sexuality to the screen with frank eroticism and visual panache.
On the Channel
Mar 20, 2018 — Graphic artist and filmmaker Sam Ashby, whose short The Colour of His Hair is featured on the Criterion Channel this week, speaks with us about a turbulent moment in UK queer history.
The Daily
Mar 15, 2018 — New York. Film Forum’s series, entitled simply Michel Piccoli, opens tomorrow and runs through March 22. “It’s surprisingly hard to think of an American equivalent for Piccoli,” writes Mike D’Angelo in the Village Voice. “He never exudes the wised-up, electrifying...
The Daily
Mar 12, 2018 — When the SXSW Film Festival presented the world premiere of Steven Spielberg’s Ready Player One last night, “technical difficulties KO’ed the sound for the second time in a row, bringing the dizzying, VFX-fueled video game adventure to a grinding halt...
The Daily
Mar 9, 2018 — Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...