Up to a Certain Point

Apr 14, 2026 — New films from Radu Jude, Clio Barnard, Lisandro Alonso, and Alain Cavalier are headed to Cannes.

Dec 22, 2025 — Kleber Mendonça Filho programs a series of films that have informed his slow-burning thriller.

Feb 19, 2025 — Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.

Sep 20, 2024 — With their virtuosic celebrations of death, giallo films reflect the air of paranoia and fear that haunted Italian society in the 1960s and ’70s, a period when the country was undergoing dramatic, violent changes.

Jun 21, 2024 — An underrated figure of Japanese cinema’s postwar era, the director tackled a wide range of subjects over his long career, including corporate double-dealing, government espionage, and various forms of fanaticism.

Apr 6, 2022 — A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.

Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.

Nov 19, 2020 — One Scene Acutely attuned to the drama of intimate relationships and interactions, writer-director-producer Sean Durkin mines their dynamics for his quietly simmering character studies. Best known for his feature debut, Martha Macy May Marlene, which premiered at Sundance in 2011 and...

Aug 12, 2020 — Mia Hansen-Løve makes delicate, graceful films about overpowering emotions. After beginning her career in front of the camera, acting in Olivier Assayas’s Late August, Early September (1998) and Les destinées (2000) as a teenager, she transitioned to directing at the...

Jul 21, 2020 — Consider this an afterword to Taste of Cherry (1997), the feature that brought its director, Abbas Kiarostami, to full international prominence, after it became the first Iranian movie to win the Palme d’Or at the Cannes Film Festival (where it...