The Criterion Collection
Essays
Sep 26, 2011 — No preconceptions. No rehearsals. No rules. Assayas's on-the-fly bio is exhilaratingly all over the map.
Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.
Dec 4, 2006 — A companion piece to Grey Gardens, this documentary stands on its own as a portrait of two women creatively passing the time as Rome burns.
Mar 13, 2000 — The following is excerpted from The Shifting Point, Peter Brook’s 1987 autobiography. All I wanted was a small sum of money, no script; just kids, a camera, and a beach. A young American, Lewis Allen, felt that private backers could...
Jan 22, 2009 — Last fall the Criterion Collection and Janus Films joined forces to acquire a first-run film for theatrical distribution—a rare move for two companies best known for handling the classics of cinema history. Revanche, both an existential thriller and a quiet,...
Features
Apr 27, 2022 — In his uncompromising chronicles of modern Japanese society, the celebrated filmmaker shows a deep understanding of both larger-than-life individuals and collectives of ordinary citizens.
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
Jul 21, 2020 — Consider this an afterword to Taste of Cherry (1997), the feature that brought its director, Abbas Kiarostami, to full international prominence, after it became the first Iranian movie to win the Palme d’Or at the Cannes Film Festival (where it...
Short Takes
Apr 5, 2019 — Two-Lane Blacktop A longtime Criterion contributor, Kent Jones has written for us on everything from the glories of studio filmmaking to the most daring and cerebral of art-house auteurs. But regardless of the subject he’s set his sights on, he’s...
The Daily
May 20, 2018 — New restorations of rarely seen gems from the 1920s and ’30s are screening in New York.