The Criterion Collection
Jan 22, 2013 — Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.
Jan 14, 2008 — As Japan was coming out of World War II, Akira Kurosawa was coming into his own as a filmmaker.
Essays
Oct 6, 2007 — In Gus Van Sant’s first feature, gayness—blind, unembarrassed homosexual lust—is the narrative’s driving force.
Sep 29, 2003 — Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...
Interviews
Jun 18, 2020 — When Jamie Babbit’s But I’m a Cheerleader made its theatrical premiere in July 2000, it was entering a queer political landscape vastly different from the one we live in today. Over the last two decades, we’ve witnessed the rise of LGBTQ...
Essays
Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...
On the Channel
May 3, 2018 — Two of the earliest films to depict the bombing of Hiroshima show how politics shapes national mourning.
Jan 12, 2021 — In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...
On the Channel
Mar 20, 2018 — Graphic artist and filmmaker Sam Ashby, whose short The Colour of His Hair is featured on the Criterion Channel this week, speaks with us about a turbulent moment in UK queer history.
The Daily
Dec 23, 2017 — Let’s first take a quick break from 2017 and look back fifty years (as I suspect we’ll be doing a lot in 2018). For Little White Lies, Justine Smith has been rifling through various archives and has put together a...