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The Deal

Pasolini in Berkeley

In Theaters

Dec 1, 2016 Repertory PicksSince September, the Berkeley Art Museum & Pacific Film Archive has been honoring the great Italian actor Anna Magnani with a career-spanning retrospective of her work. This Saturday, the series continues with Pier Paolo Pasolini’s 1962 sophomore feature, Mamma...

Sep 23, 2010 I work closely on the Eclipse series, and one of the great privileges of that task is the chance to delve into the films and careers of artists I was previously only passingly acquainted with. Allan King is a supreme...

Plate o’ Shrimp

Production Notes

Jan 17, 2007 This week, Border Radio was released on DVD. The film is the post-UCLA film school project of first-time directors Allison Anders, Kurt Voss, and Dean Lent. Yesterday, we got a note from a fan who wrote a really thoughtful, personal...

Oct 15, 2050 Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...

Sep 10, 2019 The Criterion Channel’s series of prison-break classics showcases eight masterful takes on this most nerve-wracking of suspense subgenres.

May 19, 2018 The full list of awards and a look back at what many consider to be the strongest edition in years.

Apr 8, 2016 Ten years ago, with the release of his debut film Reprise, a spirited drama about two young aspiring novelists, Norwegian filmmaker Joachim Trier emerged as one of the most interesting new voices in European cinema.

Jan 22, 2007 Spencer Gordon Bennet’s eclectic science fiction–adventure movie bundles a serious patriotic message within its retelling of the Odysseus myth.

Look Who’s Back

The Daily

Mar 6, 2026 Jonathan Rosenbaum returns to the Reader, there’s a new Cineaste, plus: Hiroshi Shimizu, John Akomfrah, and Robert Vas.

Apr 29, 2025 A gritty look at New York City’s underground economy through the eyes of an immigrant street hustler, Sean Baker’s third feature film demonstrates his gift for combining hardscrabble social realism and mischievous humor.

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