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The Brain

Jun 1, 2017 Earlier this spring, Ryuichi Sakamoto gave an exquisitely intimate concert at the Park Avenue Armory in New York. Surrounded by a small audience in the venue’s opulent Veterans Room, the renowned Japanese composer was positioned in the center of the...

Dec 20, 2016 With only three features under her belt, German director Maren Ade has become one of contemporary cinema’s keenest observers of human behavior.

Shades of Gray

On the Channel

Nov 18, 2016 Tonight we salute the unique gifts of actor and monologue artist Spalding Gray, whose solo performance pieces inspired soaring flights of cinema like Jonathan Demme’s Swimming to Cambodia and the two Steven Soderbergh films that make up our double bill....

Nov 15, 2016 Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Jun 21, 2016 Animated in Czechoslovakia amid a Soviet invasion, the French film Fantastic Planet, the third collaboration between René Laloux and Roland Topor, timelessly renders its surreal sci-fi story of captivity and resistance.

Aug 18, 2014 The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.

Mar 22, 2011 The Times of Harvey Milk is one of the defining monuments to the life and legacy of my late uncle Harvey Milk. It has also been a companion in many ways during my own journey as the openly gay nephew...

Feb 7, 2011 Death looms over the films of Hirokazu Kore-eda. His first fiction feature, Maborosi (1995), is a quiet study of bereavement, about a young woman struggling to move on after her husband’s inexplicable suicide. In After Life (1998), a supernatural fable...

Aug 13, 2010 The Docks of New York When John Grierson, the Scotsman whose absolute devotion to realism on film—he coined the word documentary and created the National Film Board of Canada—was asked how he’d enjoyed a screening of a now-lost Josef von Sternberg...

Oct 12, 2009 Man is Not a Bird: Flying Away The term “independent cinema” has lost its punch in recent years, from overuse and misapplication. One need only look to the films of Dušan Makavejev for a reminder of its true meaning. This...

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