Seyyit Han

Sep 16, 2025 — In response to the suffocating conservatism of the eighties, Lizzie Borden crafted a pluralistic vision of a feminist front that neither ignores difference nor lets it stand as an immovable obstacle to political solidarity.

Sep 11, 2025 — For J. Hoberman, the film “more than makes the case for Fonda’s centrality in the American imaginary.”

Sep 4, 2025 — The long-awaited passion project is celebrated in a new book, a documentary, and a retrospective.

Aug 26, 2025 — Alice Wu’s feature debut is a romantic comedy in which the most compelling relationship is the one between a young queer Chinese American woman and her long-widowed mother.

Aug 25, 2025 — In such provocative delights as Jamón jamón and Golden Balls, one of Spain’s most original directors celebrates the sensual pleasures of food and sex while capturing the rapid changes his country experienced at the turn of the millennium.

Aug 22, 2025 — Hong Kong classics, the best of the 1970s, and a Chantal Akerman exhibition are among this week’s highlights.

Aug 19, 2025 — Vittorio De Sica’s neorealist masterpiece captures the indifference and hostility of the adult world through the eyes of two young boys who share a bond stronger than that of family.

Aug 19, 2025 — In his fifth and sixth feature films, Edward Yang sought to uncover what was hidden in Taipei society, often in plain sight, looking past the city’s shiny skyline to the fault lines beneath the surface.

Aug 18, 2025 — Further winners in Locarno include White Snail, God Will Not Help, and Tales of a Wounded Land.

Aug 14, 2025 — MoMI presents a series of films that might be found in the neighborhood of Ari Aster’s fourth feature.