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Rebecca

Feb 14, 2014 — Did You See This? • Restoring Foreign Correspondent • In contemporary epics, where’s the beef? • Lena Dunham tells all! • A palace to be reopened • Andrew Haigh’s upcoming marital drama • Reading into Rebecca • Jeanine Basinger on...

Oct 22, 2013 — This delicately creepy Hollywood horror movie lives up to its reputation as a classic of the genre.

Jun 23, 2010 — “Wittily written and spare as a coded message . . . The year’s most perilous ride . . . , we wouldn’t exchange it for a season’s commutation ticket on most of the similar vehicles running out of Hollywood.” So...

Dec 21, 2009 — It is with great sadness that we note the passing of Robin Wood, a true lion of film criticism and a dear friend. How does one begin to describe the impact this writer and thinker had on his field? For...

’Tis the Season

Short Takes

Nov 2, 2009 —  The term holiday movie doesn’t have to conjure Christmas carols or miracles at Macy’s. Case in point: the personal, even skewed, films chosen by a few filmmakers as their holiday favorites for a seasonal special section in the New York...

Aug 20, 2007 — David Mamet’s debut film was a welcome throwback to the primacy of character and careful story construction, at a time when narrative intricacy was in short supply on American movie screens.

Oct 23, 2006 — The New Zealand director’s debut feature is a bridge between her tentative, probing film school works and her subsequent female character studies.

Sep 23, 2002 — In 1940 and 1941, David O. Selznick won back-to-back Academy Awards for Best Picture. In 1942, unsurprisingly, he was depressed. His wife, Irene, persuaded him to seek help, and, less than one year later, hale and hardy, he was eager...

Notorious

Essays

Oct 15, 2001 — Alfred Hitchcock’s classic thriller features two of Hollywood’s greatest stars, rendering their characters' grand romance in all its passion and perversity.

May 25, 1992 — If Max Ophuls hadn’t cooled his heels in Hollywood to flee the Nazis, his name might have conjured only the most unintelligible of foreign cinema—vague and inaccessible to the average American filmgoer. But in 1948 Ophuls was given an opportunity...

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