The Criterion Collection
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
The Daily
Nov 19, 2018 — Taipei hosts an evening of surprises and controversy.
The Daily
Oct 3, 2018 — Four delightful performances enliven debates about the future of art and literature.
The Daily
Sep 27, 2018 — A collection of previews of the fifty-sixth edition and a fresh round of raves for the latest from Yorgos Lanthimos
Sep 19, 2018 — The writer and editor for Artforum, cofounder of October, and professor at NYU was ninety-six.
The Daily
Sep 13, 2018 — Michael Moore takes on Trump, Werner Herzog meets Gorbachev, and Astra Taylor asks a big question.
The Daily
Sep 4, 2018 — A series at Anthology Film Archives and an archived special feature make for fine companions.
The Daily
Jul 23, 2018 — Venice will present a lifetime achievement award to Vanessa Redgrave, and Venice Days announces its lineup.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Apr 13, 2018 — Soviet filmmaker Sergei Parajanov explored his Transcaucasian roots in this visually spectacular and wonderfully strange ode to the Armenian poet Sayat-Nova.