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New World

Mar 24, 2011 Costumer Lindy Hemming began her decades-long collaboration with Mike Leigh at London’s Hampstead Theater Club, where the director, with his now legendary method of extended improvisation, was guiding his company toward what would become, in April 1977, Abigail’s Party. “At...

Jun 30, 2009 With the fortieth anniversary of the first lunar landing nearly upon us (which we’re celebrating at Criterion with new DVD and Blu-ray special editions of the 1989 documentary For All Mankind), the brave men of the Apollo missions are once...

Apr 23, 2007 Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.

Jun 23, 2003 One of the most unusual features of Italian cinema of the late ’50s and ’60s is the way that it affords us multiple perspectives on the same event, namely the economic boom following the postwar recovery. Where the directors of...

Apr 28, 2026 Opening with Jane Fonda’s tribute to Robert Redford, this year’s edition features several world premieres of new restorations.

Sep 16, 2025 A portrait of a new generation of feminist consciousness in the New York art world, Lizzie Borden’s first film project spikes with a persistent friction between the filmmaker and her documentary subjects.

Apr 23, 2025 World premieres of new restorations and plenty of anniversaries will be celebrated this year.

Melbourne 2024

The Daily

Aug 5, 2024 The expansive program includes the world premiere a new restoration of Wake in Fright with a new score performed live.

Apr 21, 2017 Nathan Silver graduated from New York University’s Tisch School of the Arts in 2005. Since then, he has written and directed four short films and eight feature films: The Blind (2009), Exit Elena (2012), Soft in the Head (2013), Uncertain...

Mar 10, 2003 The Swedish director of I Am Curious explains how he fused the themes of eroticism, self-exploration, voyeurism, and nonviolence into a film about the new freedoms of the young. QUESTION: I Am Curious seemed to be a cinematic Tristram Shandy,...

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