The Criterion Collection
The Academy Award–winning producer praises Claire Denis’s portrayal of masculinity in Beau travail, talks about the lessons he learned from Luis Buñuel’s producer Serge Silberman, and selects favorites by friends and collaborators, including The Last Wave, The Double Life of...
The acclaimed filmmaking duo reminisce about getting their cinematic education while working in a video store, share how Touki bouki has inspired every film they’ve ever made, and select life-changing favorites by Barbara Kopple, Abbas Kiarostami, and Les Blank.
An icon of the New German Cinema, the beloved director is a truly international auteur who has captured the spirit of the American road, the beauty of everyday life in Tokyo, and the vibrant musical heritage of Havana.
The award-winning actor, best known for Todd Haynes’s May December, champions the twisted pleasure of Memories of Murder, selects favorites featuring his costar Julianne Moore, and talks about the subtle beauty of films like Drive My Car and After Life.
The writing and directing partners behind the new show A Murder at the End of the World talk about the influence of Alan J. Pakula, share their deep connection to The Double Life of Véronique and After Life, and praise...
The acclaimed photographer and artist talks about bonding with his dad over films in the collection, praises the subtle power of Ozu’s framing, shares his connection to Garrett Bradley’s depiction of Black American life, and touches on his love for...
The legendary English director talks about discovering world cinema in his teenage years, the ways that Vivre sa vie gets to the “raw core of life,” the humor and politics in The Firemen’s Ball, and his experiences as a film...
Jul 11, 2025 — Jon Raymond is an author and screenwriter living in Portland. His books include The Half-Life, Livability, Rain Dragon, Freebird, Denial, and God and Sex. He has also published a collection of art writing called The Community: Writings About Art in...
Oct 8, 2024 — An otherworldly exploration of the realm between life and death, this horror masterpiece transcends its genre with its poetic, often unsettling use of fragmentation and discontinuity.
The Daily
Nov 21, 2022 — Straub and his life and filmmaking partner Danièle Huillet have been described as “cinema’s conscience.”