The Criterion Collection
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
Nov 20, 2017 — Director Donna Deitch shares her stories of casting and directing Desert Hearts with one of the film’s biggest fans, Jane Lynch.
Nov 20, 2008 — In honor of her introduction to the collection, with An Angel at My Table, we asked director Jane Campion to contribute a list of Criterion films that are on her mind at the moment. Campion’s debut feature, Sweetie, is also...
The Daily
Jan 22, 2024 — The haunting follow-up to We’re All Going to the World’s Fair explores the joys and dangers of fandom.
The Daily
Sep 8, 2021 — One of the best-reviewed films in Venice now heads to Toronto, New York, and London.
Jul 18, 2019 — One of the great American films of the seventies, Alan J. Pakula’s crime thriller Klute is powered by Jane Fonda’s groundbreaking, Oscar-winning turn as Bree Daniels, a New York City sex worker and aspiring actor who finds herself drawn into...
Sep 29, 2009 — It’s been six years since Jane Campion last directed a feature film, but her earthy, melancholy new Bright Star, about the romance between poet John Keats and his great love, Fanny Brawne, was well worth the wait. And now that...
Jane Schoenbrun is a nonbinary filmmaker and writer whose first narrative feature, We’re All Going to the World’s Fair, was released earlier this year. Jane is the cocreator of the ongoing touring variety series The Eyeslicer, the director of the...
The writer and director admires how filmmakers like Jacques Tati, Wes Anderson, and David Lynch sculpt their own universes, selects a Spike Lee double feature, and praises Víctor Erice’s films as some of the best in cinema history.