The Criterion Collection
Short Takes
Apr 27, 2010 — The lineup for the seventh annual Cannes Classics, a sidebar of the Cannes Film Festival that highlights new restorations of classics and films previously thought lost, has been announced on the festival’s website. The exciting program will present eighteen titles,...
Essays
Nov 22, 2009 — “The most concrete emblem of every economic cycle is the dump,” writes Naples native and best-selling Italian muckraker Roberto Saviano somewhere near the conclusion of his extraordinary 2006 “nonfiction novel” Gomorrah, a seethingly cogent and literarily constructed indictment of the...
Aug 17, 2009 — Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles is Chantal Akerman’s masterpiece, a mesmerizing study of stasis and containment, time and domestic anxiety. Stretching its title character’s daily household routine in long, stark takes, Akerman’s film simultaneously allows viewers to...
Essays
Sep 6, 1999 — The subject of loneliness and the observation of the isolated person has always interested me. Even as a child, I couldn’t help but notice those who didn’t fit in for one reason or another—myself included. In life, and for my...
In Theaters
Dec 7, 2016 — Repertory PicksThis weekend, the Indiana University Cinema screens Costa-Gavras’s 1969 thriller Z as part of an ongoing series of films selected by the university’s president. Loosely inspired by the 1963 assassination of Greek left-wing activist Gregoris Lambrakis, this Oscar-winning classic...
Short Takes
Oct 5, 2015 — We were saddened today to learn of the death of the great Chantal Akerman. Known most widely for her 1975 masterpiece, Jeanne Dielman, 23, Quai du commerce, 1080 Bruxelles, Akerman made precise, thoughtful, and aesthetically daring films—fiction features and documentaries,...
Jul 19, 2013 — Did You See This?• Rediscoveries at this year’s Il Cinema Ritrovato festival • Unburied treasures of cinema past • Our fans amaze us. • Whit Stillman persuaded by Jane Austen • Hollis Frampton comes alive. • Curtis Harrington gets his...
The general delegate of the Cannes Film Festival and the director of the Institut Lumière—whose film Lumière, le cinéma! is now playing on the Criterion Channel—shares his personal journey through cinema, highlighting such favorites as Pierrot le fou, 2046, Budd...
The actor and director praises Black God, White Devil as one of the most important Brazilian films ever made, talks about the complex humanity of Il Posto, and reflects on why Jean-Pierre and Luc Dardenne are his favorite filmmakers.
Mike Leigh’s Meantime, Ermanno Olmi’s Il posto, and Robert Bresson’s A Man Escaped top the list for the sibling duo behind Good Time and Uncut Gems.