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How I Won the War

Jul 9, 2019 Agnieszka Holland’s 1990 film Europa Europa recounts the incredible but true story of how Salomon Perel, born in 1925 in Germany to a Polish Jewish family, survived the Holocaust by posing as a pure Aryan German raised in Poland. Recruited...

Apr 5, 2019 Two-Lane Blacktop A longtime Criterion contributor, Kent Jones has written for us on everything from the glories of studio filmmaking to the most daring and cerebral of art-house auteurs. But regardless of the subject he’s set his sights on, he’s...

Feb 23, 2017 An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.

Oct 13, 2016 From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.

Oct 15, 2015 Sophia Loren and Marcello Mastroianni are cast against type—and funnyman director Ettore Scola gets serious—in this humane drama set in Fascist Italy.

Jul 26, 2011 To a secular eye, Jean-Pierre Melville’s sixth feature film, Léon Morin, Priest (1961), is about almost anything except religion: the deleterious effects of sexual repression, the moral bleariness of wartime and life under occupation, the harsh inflections of history in...

Jun 21, 2010 A new man is being born, fraught with all the fears and terrors and stammerings that are associated with a period of gestation. —Michelangelo Antonioni Red Desert came out in 1964, almost twenty years after the end of the war,...

Why Che?

Essays

Jan 18, 2010 Steven Soderbergh’s Che depicts the two military campaigns that defined the rise and fall of Ernesto “Che” Guevara, hero of the Cuban Revolution, who became in death a global icon of militant leftism—and of inchoate adolescent rebellion. As the latter,...

Feb 3, 2021 The lauded star of film, television, and theater was “determined to do all I could to alter the narrative about Black people.”

Mar 18, 2026 This month’s highlights include a collection of corporate thrillers, a survey of an emerging generation of trans auteurs, and a new installment of Adventures in Moviegoing with Mary Bronstein.

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