The Criterion Collection
The Daily
May 23, 2017 — “Of all of the documentaries made about North Korea by Westerners in recent years, Claude Lanzmann’s Napalm, which premiered Sunday out of competition at Cannes, is by far the most peculiar, not to mention the most brazenly narcissistic,” writes Cineaste...
The Daily
May 22, 2017 — “Michael Haneke is back to many of his old tricks in Happy End, which enfolds the child psychopathy of Benny’s Video, the bourgeois nightmare of Hidden, the euthanasia theme of Amour, and the racial discomfort of Code Unknown into a...
Jun 24, 2020 — It was audiences, not critics, that made hits out of such movies as St. Elmo’s Fire (1985), Batman Forever (1995), and Phone Booth (2002).
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Sep 3, 2019 — Early verdicts diverge as widely as opinions on how to respond to the very idea of a new film by Roman Polanski.
The Daily
Feb 24, 2025 — Todd Haynes’s jury gives the Berlinale’s top awards to films by Dag Johan Haugerud, Gabriel Mascaro, Iván Fund, Huo Meng, and Radu Jude.
The Daily
Sep 18, 2023 — Winners and runners-up include American Fiction, The Holdovers, Dicks: The Musical, and Dear Jessi.
The Daily
Jul 8, 2022 — The actor brought a wiry tension to his roles in The Godfather, Thief, and Misery.
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Nov 1, 2019 — Jonathan Glazer and Michael Mann return, Parasite fever burns on, and Paul Harrill rolls out his acclaimed second feature.
The Daily
Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.
The Daily
May 20, 2019 — While a few find the family drama heavy-handed, most critics are enthusiastically cheering on Loach’s latest competition entry.