The Criterion Collection
Dec 21, 2023 — A retrospective dedicated to a titan of the Taiwanese New Wave opens in New York before heading to Los Angeles.
The Daily
Dec 19, 2023 — Year’s end brings new translations of Serge Daney and Jean Cocteau and new books on Francis Ford Coppola and Jia Zhangke.
Dec 13, 2023 — Through the ages, some tales have spread their seeds like trees, creating forests of imagination. Fairy tales often have that quality. But I doubt that Carlo Collodi, the author of the 1883 novel Pinocchio, would like his story to be...
Dec 12, 2023 — In the history of cinema, French director Albert Lamorisse is a unique figure. His intense focus on three subjects—children, animals, and flight—is distinctive, and the fact that all of his works clock in under ninety minutes (and most under an...
On the Channel
Dec 12, 2023 — Channel Calendars Kick off the new year with a new favorite movie! There’s plenty to choose from in January, including a heap of catnip for fans of film felines, a spotlight on classic screen siren Ava Gardner, the gripping New...
Dec 5, 2023 — A tight-lipped stranger arrives in a gold-mining town. After checking into a hotel, he heads to Charlie’s Saloon, one of those gambling palaces with glittering chandeliers and be-feathered hostesses. He is told that Charlie “runs the town” and “owns a...
Nov 29, 2023 — To watch Matt Wolf’s revelatory documentaries is to see life as a moving collage in which the past and present are woven together. Over the course of nine intensely researched and intricately crafted features and shorts, Wolf has combined his passion for...
The Daily
Nov 28, 2023 — Past Lives came out on top in New York, while Stonewalling triumphed in Taipei.
Nov 21, 2023 — The decades have flown by, but Mean Streets (1973) has not become the least bit dated, even though we know how the careers of all the principals have evolved in the years since, not to mention that the world just...
Nov 21, 2023 — What stuck with me most after watching La cérémonie (1995) for the first time was the chewing gum.It’s not the scene most often cited in discussions of this late-career classic from French thriller master Claude Chabrol. Don’t get me wrong:...