The Criterion Collection
Jan 22, 2019 — Elaine May is a writer and filmmaker and actor and improviser, but beyond that, she is an artist whose career-long quest for truth has driven her to create work that has taken many forms but always sought to cast aside...
The Daily
Jan 7, 2019 — Critics are fine with the actors who’ve won Golden Globes this year—as for the films they appear in, not so much.
The Daily
Dec 11, 2018 — As critics list their favorite television shows of 2018, we take a look at some of the most notable writing about a few of their picks.
Dec 3, 2018 — True Stories, David Byrne’s 1986 paean to American eccentricity and ordinariness, called to me from the shelves of a video store in Austin, Texas. Subtitled “A Film About a Bunch of People in Virgil, Texas,” True Stories is not “true”...
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
The Daily
May 21, 2018 — Movies you may not care about are inspiring some writing you won’t want to ignore.
May 18, 2018 — Improvising to Jim Jarmusch’s film in real time, Neil Young created a rich parallel environment that sounds like a force of nature.
Apr 19, 2018 — With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.
Apr 16, 2018 — Just before the release of her new film You Were Never Really Here, Lynne Ramsay spoke with us about her early moviegoing life in Glasgow, the version of herself that emerges on set, and the mind-expanding power of chess.