The Criterion Collection
The Daily
Aug 25, 2020 — The NYFF presents its inaugural Currents lineup, and the Berlinale’s acting awards are going gender-neutral.
Aug 25, 2020 — Set among immigrants and laborers in an unglamorous corner of the South of France, Toni (1935) fulfills Jean Renoir’s wish to make a film in “a style as close as possible to that of daily encounters,” as he wrote in...
Aug 18, 2020 — Chris Hegedus and D. A. Pennebaker’s restless, captivating Direct Cinema triumph Town Bloody Hall is a work of oceanography, documenting one splashy moment in the cresting and crashing of American feminism’s second wave. The film chronicles the “Dialogue on Women’s...
The Daily
Aug 11, 2020 — Gina Prince-Bythewood, Pedro Almodóvar, Ellen Kuras, and Paolo Sorrentino are among the filmmakers who have lined up projects to take on as soon as it’s safe.
The Daily
Jul 17, 2020 — Studio Ghibli for the kids, Bergman and Pasolini for the grownups, and more highlights from the week that was.
Criterion Designs
Jun 29, 2020 — Studio Visits While preparing to work on our epic box set celebrating cinema’s most internationally beloved martial artist, we knew we had to call on someone who could deliver a kick-ass cover image. Gian Galang, the man behind the illustrations in Bruce...
Jun 23, 2020 — Late in Tokyo Olympiad, Kon Ichikawa’s thrillingly anomalous record of the 1964 Olympic Summer Games, the film documents one of the most taxing contests, the individual modern pentathlon, in a startling montage of still photographs, accompanied by stark sound effects....
Jun 10, 2020 — Years ago I took a seminar on movie stars led by the writer Wayne Koestenbaum, a glittering episode that closed out a rather colorless stint in graduate school. The syllabus was replete with inspired double bills—Deleuze on Leibniz + Lana...
The Daily
Jun 10, 2020 — As we remember the first African American to win an Oscar on her 125th birthday, HBO Max temporarily removes the movie she won it for.
Jun 8, 2020 — When she was asked to profile a director for the long-running French docuseries Cinéma, de notre temps, Chantal Akerman wondered: what better subject than herself? The producers agreed, and the Belgian-born filmmaker was inspired to edit together from her existing...