The Criterion Collection
Nov 25, 2010 — Five Easy Pieces is not a statement about America but a closely observed report. Or, perhaps, a confession.
Essays
Nov 23, 2010 — An overdub has no choice, an image cannot rejoice.—“Porpoise Song”Where there is choice, there is misery.—SwamiHow’s about some more steam?—Sonny Liston The final episode of the television show The Monkees aired March 25, 1968. Cowritten and directed by Micky Dolenz,...
Aug 24, 2010 — Josef von Sternberg’s The Last Command (1928) was first and foremost a star vehicle for Emil Jannings, the internationally known, Swiss-born actor, who had left Germany in October 1926 to work for Paramount Pictures. During his two and a half...
Aug 19, 2009 — I Am Waiting: Port of Call The year: 1957. The city: Yokohama, not far from the piers. The sound of the tide softly lapping against stones in the darkness, cubes of black ice in a tumbler of foam. Night. Rain....
Essays
Oct 6, 2007 — In Gus Van Sant’s first feature, gayness—blind, unembarrassed homosexual lust—is the narrative’s driving force.
Production Notes
Jan 17, 2007 — This week, Border Radio was released on DVD. The film is the post-UCLA film school project of first-time directors Allison Anders, Kurt Voss, and Dean Lent. Yesterday, we got a note from a fan who wrote a really thoughtful, personal...
Mar 18, 2025 — In what he described as his “first serious drama,” Charlie Chaplin channeled the influence of modernist literature, foreign cinema, and his European travels into a work of striking formal sophistication.
Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.
Features
Oct 24, 2025 — This French art-horror master shocked audiences with a string of sexy vampire movies often centered on complex female friendships and women-ruled fantasy worlds.
Essays
Jan 21, 2025 — In his first Hollywood film, British director Stephen Frears dives into the nihilistic world of Jim Thompson’s fiction, delivering an adaptation profoundly attuned to the novelist’s sense of ineluctable suffering.