The Criterion Collection
Essays
Jan 13, 1992 — Few films have had as exalted, or as tumultuous, a history as The Devil and Daniel Webster. Directed and produced by William Dieterle at RKO after his triumphant Hunchback of Notre Dame, The Devil and Daniel Webster is the finest...
Oct 29, 1990 — Luis Buñuel’s ode to obsessive love is injected with the biting subversive wit, symbolism, originality and surreal touches that distinguish his finest achievements.
On the Channel
Jan 20, 2026 — This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.
The Daily
Jan 10, 2025 — This week: Eisenstein’s diaries, Godard’s artworks, Mike Leigh’s characters, and Sidney Poitier’s late work.
May 21, 2024 — The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.
Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.
The Daily
Sep 20, 2021 — Kenneth Branagh gets an early awards season boost, while Indonesian director Kamila Andini wins the Platform prize.
Sep 29, 2020 — In this masterpiece from the father of modern Indonesian cinema, Usmar Ismail, a violent military culture grips the nation in the years following a brutal revolution.
The Daily
Apr 16, 2019 — In a Lonely Place (1950), screening Friday at MoMA, and The Big Heat (1953), featured on the Criterion Channel, score high on Slant’s list of top noirs.