The Criterion Collection
Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...
Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.
Jul 1, 2013 — How the original comic everyman made us laugh and fear for his life.
Jun 19, 2013 — Disorienting, brutal, and bloody beautiful, František Vláčil’s epic is a dark medieval vision teeming with cinematic invention.
Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.
Apr 17, 2013 — Four of the great Japanese director’s lesser-known, early films show the coming into being of a political artist.
Oct 30, 2012 — All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.
Essays
Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...
Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.
Essays
Aug 14, 2012 — The camera never stops moving in the Dardenne brothers’ portrait of a troubled teenage girl desperate for a job.