Apr 19, 2022 Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.

Apr 6, 2022 A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.

Apr 4, 2022 Nicholas Ray’s melodrama is both a critique of 1950s America and a straight-up horror movie.

Apr 1, 2022 This week: A new Cinema Scope, Robert Siodmak, Theodore Witcher, reenactment in nonfiction, and the science of Dune.

Mar 30, 2022 Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.

Mar 29, 2022 About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...

Mar 22, 2022 In Robert Aldrich’s epic disaster film, James Stewart leads a pack of temperamentally different men as they struggle to survive in the face of the unknown—a template that would go on to influence Hollywood blockbusters for decades to come.

Mar 15, 2022 The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Second Look

The Daily

Mar 9, 2022 MoMI celebrates ten years of its First Look festival with five selections from previous editions.

Pasolini at 100

The Daily

Mar 3, 2022 Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.

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