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Between Us

Aug 20, 2001 I have known Torben Skjødt since 1983. His debut video Englefjæs—which I thought to be very accomplished—was presented during a film week in Silkeborg. A debut work, yes, but made with a self-assured maturity by a self-taught creator of images....

Sep 22, 1997 The English Patient was the ?rst book of Michael Ondaatje’s I had read, and I thought it was remarkable.Two weeks after ?nishing the novel, Anthony Minghella telephoned from London and asked, “How could we do this as a movie?” Being...

May 13, 2025 In this masterpiece of lived-in ethical complexity and high spiritual stakes, Abbas Kiarostami explores the tensions between provinciality and modernity, and between artists and their subjects.

Feb 25, 2025 Like many of the characters found throughout the director’s oeuvre, the alternative-press staffers at the center of her sophomore feature are bound up in a perpetual tug-of-war between past and present realities.

Apr 18, 2018 Sofia Coppola lets us behind closed doors in ways that are beyond the imagining of the novel’s boy narrators.

Mar 8, 2016 Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.

May 27, 2026 When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

Mar 30, 2026 Suffused with visual beauty and moments of magical realism, Jess X. Snow’s queer diasporic cinema invites us to imagine new possibilities for freedom, transformation, and intergenerational healing.

Oct 30, 2025 The Portuguese filmmaker is on an informal tour of the U.S, presenting and discussing her work and influences.

Oct 1, 2025 In his second stop-motion feature, Wes Anderson grapples with what it means to acknowledge one another within systems that separate beings between pet and master, wild and tamed.

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