The Criterion Collection
Essays
Jul 12, 2022 — In David Lean’s Venice-set romance, a fleeting love affair prompts a woman’s self-exploration.
The Daily
Jul 8, 2022 — The actor brought a wiry tension to his roles in The Godfather, Thief, and Misery.
The Daily
Jul 6, 2022 — The seventy-fifth edition will premiere new films by Helena Wittmann, Alexander Sokurov, and Nikolaus Geyrhalter.
The Daily
Jun 29, 2022 — A fresh round on biographies and studies of filmmakers and actors as well as a few novel ideas and critical collections.
On the Channel
Jun 29, 2022 — This month on the Channel brings a collection of boxing movies, a survey of film noir steeped in expressionistic color, and a tribute to the classic Hollywood director Henry King.
Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.
Jun 22, 2022 — The long, quietly tense opening minutes of L’eclisse offer a blueprint for filmmakers looking to craft a devastating breakup scene.
The Daily
Jun 17, 2022 — This week: Surrealism and cinema, a Cold War “travesty,” talking about Bruno, and walking in Hong Kong.
May 10, 2022 — Joseph Losey’s sumptuous portrait of Nazi-occupied Paris sees an icy Alain Delon as an art dealer on a Kafkaesque quest for identity.